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杂剧

na.zaju
网络Zaju; variety play; poetic drama

杂剧

英-汉英-英网络释义

杂剧

Zaju

一板一叮 - 豆丁网 ... 双管 shuangguan 杂剧 zaju 十九划怀鼓 huaigu ...

variety play

variety-英汉词典-英中字典-速译通-解释意思... ... variety of winter wheat 冬麦品种 variety play 杂剧 variety plot 品种区 ...

poetic drama

舞台英文术语 ... parable play 寓言发挥 poetic drama 杂剧 portray 刻画 ...

poetic drama set to music

杂的解释 |... ... ◆ 杂剧[ poetic drama set to music,flourishing in the Yuan Dynasty ] ① 驳杂不纯[ heterogeneous mixed] ...

Yuan Drama

元散曲 (Qu Poetry) 杂剧 (Yuan Drama) 或表现男女间情爱，或描写大自然美景，或关心民众疾苦和社会问题或抒发文人的雅 …

a Yuan dynasty form of musical comedy

杂剧... ... 影剧院 movie theater;cinema 杂剧 a Yuan dynasty form of musical comedy 中央戏剧学院 Central Academy of Drama ...

Northern drama

... Nestorianism 景教 Northern drama 杂剧 notes,bibliographical 读书记 ...

例句：

It was after long years of evolvement of Chinese local opera that zaju came into being in the Yuan Dynasty (1271-1368 AD).

中国的戏曲在经历了漫长的发展过程之后，到元代（公元 1271-1368年）形成了 “元杂剧 ”。

It was already a relatively matured form of drama integrating music , singing, dancing, performing and speaking.

元杂剧把音乐、歌舞、表演、念白 a 融于一体，是比较成熟的戏剧形式。

Poetic drama in Northern Song Dynasty contained rich content , which almost reflected every aspect of that period .

内容上，北宋杂剧的涵盖面很广，几乎反映了其所处时代的方方面面。

The women in the Family drama of the dramas of Yuan Dynasty are mainly referred to mother and wife in this article .

元杂剧家庭剧中的女性，本文主要指母亲、妻子两类。

Of course , due to the influence of the brothel literature , these woman images of the Yuan Opera are sometimes distorted and vulgarized .

当然，由于青楼文学的影响，元杂剧的部分妇女形象也有失真、庸俗的一面。

The new system is called One-satirize act opera in middle and later periods of Ming dynasty .

本文把这种新的杂剧体制称为明代中后期单折讽刺杂剧。

The legendary drama in modern times witnessed a phenomenon in practice, which could be considered as traditionalism .

近代传奇杂剧发展历程中存在着一种可称之为传统主义的创作现象。

This article focused on analyzing the reasons of the emergence of new features and its influence from the view of ethnic integration.

本文着重从民族文化交融的角度分析元杂剧女性形象出现新特质的原因及影响。

The book, "Watts City " was recorded in a number of dramas, Linan, rap, and engaged in these arts Kabuki actor .

书中 “瓦市 ”一条记载当时临安的一些杂剧、说唱和从事这些伎艺的演员。

It shows that the writers for Zaju and Chuanqi, creative at the time of innovation , and still adhere to old standards .

它表明了文人进行杂剧、传奇创作时，在有所创新之时，对旧标准仍有所坚持。

fourth, The literary image of the Yuan Dynasty' trajectories were in ill-fated or happy mode .

第四，元杂剧文人形象人生轨迹的命运多舛与美满模式。

Duanju (short plays) appeared on the stage as a new form of Zaju , absorbing multiple playwrights " work. "

在这种背景之下，“短剧 ”作为杂剧的一种新样式出现，且有众多作家参与其中，有其必然原因。

This paper discusses mainly the women images of the Yuan Opera in the perspectives of Confucian culture and pop culture .

该文主要从儒家文化和市井文化的角度来论述元杂剧的妇女形象。

Guan Hanqing was born in Dadu . He was the most prominent dramatist of the Yuan Dynasty.

关汉卿，大都人，是元杂剧作家中最杰出的一位。

In this paper , according to the object of discussion will be divided into the Ming Dynasty to the early and middle Hiromasa late .

本文根据所要论述的对象，将明代杂剧以弘、正分为前期和中后期。

Ancient Greek Tragedy always uses the structure for locking , and Chinese Yuan Traditional Opera in the use of the structure for opening .

古希腊悲剧多为锁闭式结构，而中国元杂剧则以开放式结构为代表。

Yang Zi , the composer of Chinese Yuan Zaju Yu Rang Swallowed Coals, served as a government official and famous dramatist .

中国元杂剧《忠义士豫让吞炭》作者杨梓，一生为官并为知名剧作家。

Guan Hanqing was the greatest and most prolific playwright of the time . He created over 60 plays of which 18 are still extant .

关汉卿是元代成就最高、影响最大的剧作家，他一生写了 60 多部杂剧，现存的还有 18 部。

The Mongolian words in Yuan drama is the important marking of the Yuan 's multi-culture background .

元杂剧中的蒙古语词是元代多元文化背景的重要印记。

The literati image in Yuan play mainly draws support from the stage performance and the written script form dissemination .

元杂剧文人形象主要借助舞台演出和书面剧本形式传播。

The existing six Shuihu dramas of the Yuan Dynasty depicts two types of different personalities of the female image .

在现存的六种元杂剧水浒戏中，刻画了两类性格迥异的女性形象。

In late Northern Song Dynasty , especially in Huizong period , poetic drama plays and You Yu were mainly about the political darkness .

到了北宋后期，尤其是徽宗一朝，政治黑暗，这一时期的杂剧演出及优语几乎全部与此相关。

and Yuan Dynasty writer , is also because there is no fame and position knowledge , there is no mental baggage .

而元杂剧作家也正因为没有名位学问，所以没有精神上的包袱。

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