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贾樟柯

网络Zhangke Jia; caimingliang; Hsiao-hsienHou

贾樟柯

网络释义

贾樟柯

Zhangke Jia

戛纳电影节主竞赛单元-金棕榈奖 ... 大卫·柯南伯格 David Cronenberg 贾樟柯 Zhangke Jia 尼科尔·加西亚 Nicole Garcia ...

caimingliang

电影小组索引小组 ... www.douban.com/group/Anglee/ 蔡明亮： www.douban.com/group/caimingliang/ 贾樟柯： ...

Hsiao-hsienHou

优秀电影讨论汇总贴... ... http://www.douban.com/group/Hsiao-hsienHou/ 贾樟柯： http://www.douban.com/group/Anglee/ 彭 …

Response to Amir Naderi's CUT

5 - Jia Zhangke 贾樟柯 (Response to Amir Naderi's CUT)世界 05 人生在线:贾樟柯贾樟柯谈第六代导演「电影趋势:经济萧条 …

例句：

Jia Zhang-ke's film fills in this piece of Cold War history by listening to the testimonies of the now-displaced former workers .

贾樟柯的电影通过倾听这些现在已经是身处异处的工人们的讲诉，填补了冷战中这片历史。

In Mr. Jia's case it was the decade that began with his arrival at the Beijing Film Academy in 1993 .

在贾樟柯而言，他付出的代价是 1993年进入北京电影学院之后的 10年时间。

But that portrait has always struck me as an oversimplification that fails to capture the nuances of his position in China .

但是我觉得那样的评价过于简单化，没有抓住贾樟柯在中国所处地位的微妙之处。

The 40-year-old director describes himself as 'like an orphan anxious to learn the truth about where he comes from. '

年已四十的贾樟柯形容自己像个孤儿一样渴望了解自己的身世。

Jia Zhangke's film has a strong tendency of the author -theory .

贾樟柯的电影具有浓厚的作者论思想倾向。

Or was 'Yulu' an olive branch that Mr. Jia had craftily extended to the censors in advance of some new and provocative project?

抑或《语路》只是贾樟柯在推出引发争议的新片之前巧妙地伸向审查机构的橄榄枝？

Mr. Jia responds , 'Someone just needs the courage to go first . '

贾樟柯回答说，总需要有人有先行一步的勇气。

So , Jia Zhangke has his own movie show in the field , and persistent efforts.

于是，贾樟柯有了他自己的电影展示领域，并执着地走下去。

The 39 -year-old director grew up in Fenyang, in China's northern Shanxi province .

今年 39 岁的贾樟柯在中国北部的山西省汾阳市长大。

Did Mr. Jia and his colleagues feel they'd been co-opted by commerce ?

贾樟柯和他的同僚们有没有觉得自己是被商业收编了？

Yu is the regular cinematographer of leading director Jia Zhang-ke .

余力为是知名导演贾樟柯的御用摄影师。

Finally , Jia Zhangke film development forecast of China sign the film's international acceptance .

最后，贾樟柯电影符号发展前瞻与中国电影的国际认同度。

And Jia's films have a second thought of China's reality in a unique way .

贾樟柯电影以独特的方式对中国的现实进行反思。

Mr. Jia explains: 'It's not anthropology , not history . '

贾樟柯解释说，这不是人类学研究，也不是历史。

In 1999 , after 'Xiaowu, ' Chinese authorities banned Mr. Jia from making films .

1999年拍过《小武》之后，中国当局禁止贾樟柯拍摄电影。

''Freedom, '' says the leading film director Jia Zhangke.

先锋电影导演贾樟柯回答：“自由！”

Lifeblood, was selected in the First Jia Zhangke Youth Director Training Camp.

剧本入选 “第一届贾樟柯青年导演训练营 ”；

'If my films can't be shown in China , they have zero impact , ' Mr. Jia explains .

贾樟柯解释说：如果我的电影不能在中国上映，它们的影响力就等于零。

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