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Schoenberg

网络勋伯格；荀白克；荀贝格

Schoenberg

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Schoenberg

勋伯格

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荀白克

自荀白克（Schoenberg）的十二音列理論被许多作曲家广泛运用及发展后，多數人开始赞同其体系中包含的观念– 即音樂的 …

荀贝格

经由第一、第三与第六章中的练习，清楚的分析荀贝格（Schoenberg）钢琴协奏曲的主题后，希望读者因而产生兴趣去聆听与 …

荀伯格

这是荀伯格(Schoenberg)的作品,也有人翻成古瑞之歌(Gurrelieder),由丹麦作家Jens Peter Jacobsen由民间传说改编,看了CD的 …

奥地利作曲家勋伯格

...ssure），毕加索（Picasso），海德格尔和奥地利作曲家勋伯格（Schoenberg）等等。

荀柏格

战后奥国的前卫艺术家，都受到形式主义绘画和荀柏格（Schoenberg）与威柏恩（Webern）系列音乐（series music）的影响…

例句：

Schoenberg's music and that of his followers was very controversial in its day, and remains so to some degree now .

荀白克的音乐和他的追随者在当时遭受极大的质疑，到现今也仍是如此。

Schoenberg died a poor man in 1951 , and and his widow and three children barely survived on the copyright royalties from his music.

一九五一年，勋伯格在穷困中逝世，他的遗孀和三个孩子靠着他微薄的版税勉强度日。

And is known as "new Vienna music " is Schoenberg and two of his students WeiBeiEn and Chris.

而被誉为 “新维也纳乐派 ”的是勋伯格和他的两个学生韦贝恩和贝尔格。

Imaginative nonconformity was in the air : Picasso , Joyce, Freud, Stravinsky, Schoenberg and others were breaking conventional bonds.

想像出的不整合性弥漫在空中：毕加索，弗洛伊德，斯特拉文斯基，勋伯格，等等都在打破常规。

But it is the eerie passion of Gesualdo's music , not the drama of his life , which led Igor Stravinsky and Arnold Schoenberg to him .

不过，Gesualdo 身上吸引斯特拉文斯基和阿诺德 •勋伯格的并不是他如同戏剧似的一生，而是其在音乐中表露出的神秘的激情。

Schoenberg's 'Remembrance' is doing the same thing as 'Tristan and Isolde' but it's doing it from the other side of a psychological ocean .

勋伯格在他的《回忆》中所作的是与《特里斯坦与伊索尔德》中同样的事情，只不过它来自于心灵之海的彼岸。

It was not just that he had decided tonality was dead ; Schoenberg's 12-note serialism had already made dissonance routine .

这并不是因为他决定了音调的消逝，而是施托克豪森的十二音阶体系已经让人感到不协和音的寻常。

Along with Strauss , Sibelius and, yes, Schoenberg, Mahler sang the last rueful songs of nineteenth-century romanticism .

马勒与施特劳斯、西贝柳斯、还有勋伯格，同声唱出十九世纪浪漫主义最后的悲歌。

Kandinsky was the friend and collaborator of the grandfather of abstract music , composer Arnold Schoenberg (1874-1951 ), who also painted.

康氏与抽象音乐的教父、作曲家勋伯格（生于一八七四，卒于一九五一）是朋友，也是工作伙伴。

"The true pioneer of the post-Romantic era , Schoenberg was committed to the " "emancipation of dissonance . "

作为后浪漫主义时期名符其实的开拓者，勋伯格致力于 “解放不谐和音 ”。

Schoenberg used atonality in the music of his middle period .

桑伯格在中期用无调性方式作曲。

SCHOENBERG EFFECT : Child never repeats a word until he's used all the other words in his vocabulary .

勋博格效应：这孩子把自己的词汇用尽了也不重复一个字。

Arnold Schoenberg is undoubtedly one of the most important western composers in the twentieth century .

荀白克无疑是二十世纪西方最重要的作曲家之一。

Schoenberg's tonal combinations are eminently suitable for such exercises .

用勋伯格的音列组合来作这个练习特别适合。

Schoenberg and Webern replayed Peter 's random improvisation the whole afternoon .

整个下午，勋伯格和韦伯恩都在重复彼得那胡乱的即兴表演。

Schoenberg WAS a progenitor of modern music .

勋伯格是一位现代音乐的先驱。

This part is an exploration of Schoenberg's music thoughts .

这一部分主要是对勋伯格音乐思想的探讨。

In 1999 she and her lawyer , Randol Schoenberg, tried to sue the Austrian government .

1999年，奥特曼和她的律师兰多尔 •勋伯格努力起诉奥地利政府。

Arnold Schoenberg devised a 12 -tone scheme of atonal music about a century ago .

一个世纪以前，ArnoldSchoenberg 已经设计出一种无调音乐，由 12 音色组合而成。

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