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特拉文斯基

网络Igor Stravinsky; LgorStravinsky

特拉文斯基

特拉文斯基

特拉文斯基

Igor Stravinsky

奥迪公司与萨尔斯堡音乐节的合作开始于1994 年，专门推出斯 特拉文斯基(Igor Stravinsky)的《大兵的故事（L'Histoire du Sold…

LgorStravinsky

厄恩斯特哈斯（ErnstHaas）捕捉了作曲家伊戈斯 特拉文斯基（LgorStravinsky）正在指挥他的管弦乐曲时的主要特点。除少 …

1

It was not just that he thought "intensive measuring and counting " the key to music 's future ; Stravinsky had got there long before him .

这也不是因为施托克豪森认为 “精深的测定与计算 ”是决定音乐未来的关键，斯特拉文斯基在他之前就已经参透这些。

2

Now what Stravinsky did in the Rite of Spring was not to take away the underpinning , but to remove any sense of predictable repetition .

在《春之祭》中斯特拉文斯基并没有将支撑物抽走，而仅仅是移动了一下那些老生常谈的重复因素。

3

Like an audience member at Stravinsky's Rite of Spring forced suddenly to join the cast , I plunged in, starkers .

就像突然被迫加入斯特拉文斯基（Stravinsky ）《春之祭》（RiteofSpring ）演出的观众一样，我也进了水，光着身子。

4

Imaginative nonconformity was in the air : Picasso , Joyce, Freud, Stravinsky, Schoenberg and others were breaking conventional bonds.

想像出的不整合性弥漫在空中：毕加索，弗洛伊德，斯特拉文斯基，勋伯格，等等都在打破常规。

5

But it is the eerie passion of Gesualdo's music , not the drama of his life , which led Igor Stravinsky and Arnold Schoenberg to him .

不过，Gesualdo 身上吸引斯特拉文斯基和阿诺德 •勋伯格的并不是他如同戏剧似的一生，而是其在音乐中表露出的神秘的激情。

6

Stravinsky, to whom Lipatti showed his Toccata , could only tell him to "continue in the same direction . "

斯特拉文斯基，李帕蒂给他看了他的托卡塔，只能告诉他 “照此方向继续。”

7

The man has accumulated a repertoire of facial tics and blinks that demand nothing less than a complete musical score by Stravinsky.

此人积累了一套关于面部痉挛和眨眼的保留节目，至少需要斯特拉文斯基的全套配乐来伴奏。

8

Indeed, he thinks the composer, along with Stravinsky, is the biggest enduring influence on 21st-century composers .

他把巴托克与斯特拉文斯基一道视为对 21世纪的作曲家影响最深刻、最持久的人物。

9

"Expositions and Developments " is the third in the legendary series of Stravinsky's conversations with Robert Craft.

“展览及发展 ”是在与罗伯特克拉夫特斯特拉文斯基的谈话传奇系列的三分之一。

10

The programme concluded with Stravinsky's 'Rite of Spring'.

演出节目以斯特拉文斯基的《春之祭》结束。

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