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梵志

网络brahmana; Brahmacarin; brahmani

梵志

网络释义

梵志

brahmana

这些男性修行者，或称为沙门（sramana），或称为比丘（bhiksu），或称为梵志（brahmana）。当一个比丘在修行梵行或净 …

Brahmacarin

梵志 ( Brahmacarin ) 乃婆罗门 ( Brahmapa ) 四时期之一。《瑜伽论记》上说：「梵者，西国言；此翻为寂静，谓涅盘也。志是 …

brahmani

DDB Sanskrit Terms ... brahmana-dewa 婆罗门国 brahmani 梵志 Brahmanyata 静志 ...

awramin

DDB Sanskrit Terms ... awraddhya 无信 awramin 梵志 awrava 烦恼，闻 ...

dvi-ja

DDB Sanskrit Terms ... dvi-guna 倍 dvi-ja 梵志 dvi-jihvaka 两舌 ...

Brahmacārin

梵志 ( Brahmacārin ) 乃婆罗门 ( Brāhmapa ) 四时期之一。《瑜伽论记》上说：「梵者，西国言；此翻为寂静，谓涅盘也。志是 …

Bhaggava

...），这两经提到佛陀住止於末罗国之阿菟夷村时，拔迦婆梵志（Bhaggava）与佛陀谈到离车族出身的善宿比丘舍弃佛教信仰 …

Brahmacaring

宗教的信士，如佛教所谓梵志（Brahmacaring），就是行梵行的人。他一生也不犯奸淫。

例句：

A Quatrain (Wang Fanzi) Others ride tall horse , Alone I on a donkey sit. Looking back at a woodcutter, On foot, I feel happier a bit .

诗（王梵志）他人骑大马，我独跨驴子。回顾担柴汉，心下较些子。

He was an implacable enemy of image worship and also fought to stop the infiltration of Christian ideas into the Samaj.

他是一个偶像崇拜的不安静敌人，也极力反对把基督教思想渗透入梵志会。

Like any good literati artist , Zeng has stated that his paintings increasingly rely on his own ephemeral moods and introspection.

与所有出色的文人艺术家一样，曾梵志表示他的创作愈来愈仰赖情绪乍现与自我探索。

With the end of the Mask series , Zeng began to pursue more unmediated forms of painterly expression .

《面具系列》步入尾声后，曾梵志试图追求更直接的情感表现方式。

Baudelairean strangeness approximates the effect of my own encounter with any number of disorienting features of Zeng's art.

波德莱尔式的陌生化十分接近笔者与曾梵志艺术中任何数量的惑人的特色相遇时的情形。

Even in studies for Mask paintings or silkscreen prints , Zeng seeks to maximize his chosen medium to its technical limits.

不论是《面具系列》或是丝网版画，曾梵志都用高超的艺术技术，把他所选用的材料发挥到极至。

Of his now-iconic Mask paintings, Zeng has said that he was interested in exploring the distances between people .

谈论他招牌的《面具》创作时，曾梵志曾说他对探索人与人之间的距离相当有兴趣。

Zeng Fanzhi serves as a bridge connecting art and fashion . He was a representative of the post 89 period .

曾梵志是一位艺术与时尚桥梁式的人物，他是后 89 时期的代表性人物。

Watermelons are a mysterious motif in Zeng's career , appearing periodically in large and small canvases.

在曾梵志的艺术生涯里，西瓜是诡秘的主题，偶尔出现在大小画作。

In works of this type , Zeng wanted to keep brush strokes from appearing textured by their own materiality .

在这类作品中，曾梵志试图让他的笔画的物质性肌理显得那么显著。

He belonged to the Brahmo Samaj and was headmaster of the Vidyasagar High School at Syambazar, Calcutta .

他属于梵志会，也是加尔各答释瓦普库尔的维德雅瑟格中学校长。

The sale of Mr. Zeng's 'The Leopard , ' the final lot Saturday , was perhaps the most animated moment of the weekend .

曾梵志的《豹》（TheLeopard ）在周六最后一个拍卖，或许是整个周末最热闹的时刻。

Zeng Fanzhi's 'A Man in Melancholy ' sold for HK$10 . 3 million, six times over its estimate.

曾梵志的《忧郁的人》拍出 1030万港元，是其预估价的六倍。

The top lot among Sunday 's contemporary art was Zeng Fanzhi's 'Andy Warhol, ' which fetched HK$9 . 6 million.

周日当代艺术品拍卖价格最高的是曾梵志的《安迪·沃霍尔》（AndyWarhol ），卖出了 960万港元。

Zeng Fanzhi's Mask Series , estimated to sell for HK$12 million to HK$18 million, is also being offered in the contemporary-art category.

当代艺术拍品还包括曾梵志的《面具系列》（MaskSeries ），估价在 1,200万港元至 1,800万港元之间。

On Wang Fan-zhi 's Way of "Wearing Socks Inside out"

论王梵志 “翻着袜法 ”

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