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曾梵志

网络ZENG FANGZHI; wuguanzhong

曾梵志

曾梵志

曾梵志

ZENG FANGZHI

曾梵志艺术导报 ... 简历 Resume 曾梵志 ZENG FANGZHI 文章 Article ...

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... http://artist.scj.cn/mocheng/ 牟成 http://artist.scj.cn/wuguanzhong/ 曾梵志 http://artist.scj.cn/zengfanzhi/ 周春芽 ...

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Like any good literati artist , Zeng has stated that his paintings increasingly rely on his own ephemeral moods and introspection.

与所有出色的文人艺术家一样，曾梵志表示他的创作愈来愈仰赖情绪乍现与自我探索。

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With the end of the Mask series , Zeng began to pursue more unmediated forms of painterly expression .

《面具系列》步入尾声后，曾梵志试图追求更直接的情感表现方式。

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Baudelairean strangeness approximates the effect of my own encounter with any number of disorienting features of Zeng's art.

波德莱尔式的陌生化十分接近笔者与曾梵志艺术中任何数量的惑人的特色相遇时的情形。

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Even in studies for Mask paintings or silkscreen prints , Zeng seeks to maximize his chosen medium to its technical limits.

不论是《面具系列》或是丝网版画，曾梵志都用高超的艺术技术，把他所选用的材料发挥到极至。

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Of his now-iconic Mask paintings, Zeng has said that he was interested in exploring the distances between people .

谈论他招牌的《面具》创作时，曾梵志曾说他对探索人与人之间的距离相当有兴趣。

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Zeng Fanzhi serves as a bridge connecting art and fashion . He was a representative of the post 89 period .

曾梵志是一位艺术与时尚桥梁式的人物，他是后 89 时期的代表性人物。

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Watermelons are a mysterious motif in Zeng's career , appearing periodically in large and small canvases.

在曾梵志的艺术生涯里，西瓜是诡秘的主题，偶尔出现在大小画作。

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In works of this type , Zeng wanted to keep brush strokes from appearing textured by their own materiality .

在这类作品中，曾梵志试图让他的笔画的物质性肌理显得那么显著。

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The sale of Mr. Zeng's 'The Leopard , ' the final lot Saturday , was perhaps the most animated moment of the weekend .

曾梵志的《豹》（TheLeopard ）在周六最后一个拍卖，或许是整个周末最热闹的时刻。

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Zeng Fanzhi's 'A Man in Melancholy ' sold for HK$10 . 3 million, six times over its estimate.

曾梵志的《忧郁的人》拍出 1030万港元，是其预估价的六倍。

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The top lot among Sunday 's contemporary art was Zeng Fanzhi's 'Andy Warhol, ' which fetched HK$9 . 6 million.

周日当代艺术品拍卖价格最高的是曾梵志的《安迪·沃霍尔》（AndyWarhol ），卖出了 960万港元。

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Zeng Fanzhi's Mask Series , estimated to sell for HK$12 million to HK$18 million, is also being offered in the contemporary-art category.

当代艺术拍品还包括曾梵志的《面具系列》（MaskSeries ），估价在 1,200万港元至 1,800万港元之间。

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Also exceeding estimates was 'Mask Series No. 15' by Chinese contemporary artist Zeng Fanzhi, which sold for HK$10 . 1 million.

超出估价的还有中国当代画家曾梵志的《面具系列第十五号》（MaskSeriesNo.15 ），以 1,010万港元售出。

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Other blue-chip Chinese artists such as Cai Guo-qiang and Zeng Fanzhi also sold well above their estimates .

其他重要当代中国艺术家蔡国强和曾梵志等人作品的成交价亦远高于此前预估。

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In China around 2000 , Zeng Fanzhi was contributing to this collective history of the mask .

2000年间的中国，曾梵志为面具的集体历史做出了自己的贡献。

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"Mask Series 1996 , No 6" by Zeng Fanzhi sold for $9. 7m, a new high, at Christie's in Hong Kong in May 2008.

2008年五月香港佳士得春季拍卖会上，曾梵志的《面具系列 1996No.6 》以天价 9700万卖出，创历史新高。

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